{"id":1859,"date":"2016-09-06T17:48:49","date_gmt":"2016-09-06T17:48:49","guid":{"rendered":"http:\/\/fundarte.gob.ve\/web\/2016\/09\/06\/abierta-convocatoria-de-la-ii-bienal-del-sur-pueblos-en-resistencia\/"},"modified":"2016-09-06T17:48:49","modified_gmt":"2016-09-06T17:48:49","slug":"abierta-convocatoria-de-la-ii-bienal-del-sur-pueblos-en-resistencia","status":"publish","type":"post","link":"https:\/\/fundarte.gob.ve\/web\/2016\/09\/06\/abierta-convocatoria-de-la-ii-bienal-del-sur-pueblos-en-resistencia\/","title":{"rendered":"Abierta convocatoria de la II Bienal del Sur. Pueblos en Resistencia"},"content":{"rendered":"<\/p>\n<p style=\"margin-top: 0cm; margin-right: 0cm; margin-bottom: 15pt; line-height: 150%; text-align: justify; background-image: initial; background-attachment: initial; background-position: initial; background-repeat: initial;\"><span style=\"font-family: arial, helvetica, sans-serif;\">Caracas, 06 de septiembre de 2016.- Hasta el 02 de diciembre del presente a&ntilde;o, artistas nacionales e internacionales podr&aacute;n postular sus proyectos para participar en la segunda edici&oacute;n de la Bienal del Sur. Pueblos en resistencia, &nbsp;a celebrarse en noviembre del 2017 en el Museo de Bellas Artes de Caracas, as&iacute; lo indic&oacute; en rueda de prensa la directora general del Instituto de las Artes de la Imagen y el Espacio (Iartes), Morella Jurado.<\/span><\/p>\n<p><!--more--><\/p>\n<p style=\"margin-top: 15pt; margin-right: 0cm; margin-bottom: 15pt; line-height: 150%; text-align: justify; background-image: initial; background-attachment: initial; background-position: initial; background-repeat: initial;\"><span style=\"font-family: arial, helvetica, sans-serif;\">Pintura, escultura, intervenciones urbanas, instalaci&oacute;n, videoarte y performance son las t&eacute;cnicas con las cuales podr&aacute;n participar los creadores interesados en mostrar su arte en esta vitrina internacional de car&aacute;cter antihegem&oacute;nico y anticolonialista.<\/span><\/p>\n<p style=\"margin-top: 15pt; margin-right: 0cm; margin-bottom: 15pt; line-height: 150%; text-align: justify; background-image: initial; background-attachment: initial; background-position: initial; background-repeat: initial;\"><span style=\"font-family: arial, helvetica, sans-serif;\">Los proyectos art&iacute;sticos podr&aacute;n ser presentados individual o colectivamente, enmarcados en el compromiso de crear, desde la cr&iacute;tica al sistema mundo capitalista, v&iacute;as de resignificaci&oacute;n de la relaci&oacute;n arte y sociedad. Las bases y planilla de participaci&oacute;n est&aacute;n disponibles en la p&aacute;gina web del Iartes: <span style=\"text-decoration: underline;\"><a href=\"http:\/\/www.iartes.gob.ve\/\" style=\"cursor: pointer; text-decoration: underline;\">www.iartes.gob.ve<\/a><\/span><\/span><\/p>\n<p style=\"margin-top: 15pt; margin-right: 0cm; margin-bottom: 15pt; line-height: 150%; text-align: justify; background-image: initial; background-attachment: initial; background-position: initial; background-repeat: initial;\"><span style=\"font-family: arial, helvetica, sans-serif;\">Franklin Perozo, Blanca Rey, Clemente Mart&iacute;nez, Orlando Monteleone, Ifigenia Arell&aacute;n, Morella Jurado, Angela Barbour (Brasil), Dayalis Gonz&aacute;lez (Cuba) y Rashid Diab (Sud&aacute;n), conforman el equipo curatorial de reconocidos curadores nacionales e internacionales, artistas visuales e investigadores, quienes ser&aacute;n los encargados de seleccionar las propuestas.<\/span><\/p>\n<p style=\"margin-top: 15pt; margin-right: 0cm; margin-bottom: 15pt; line-height: 150%; text-align: justify; background-image: initial; background-attachment: initial; background-position: initial; background-repeat: initial;\"><span style=\"font-family: arial, helvetica, sans-serif;\">Esta edici&oacute;n que rendir&aacute; homenaje a Trinidad y Tobago busca enaltecer la diversidad cultural existente en el Caribe y la lucha que estos pueblos han librado desde la colonia, as&iacute; lo mencion&oacute; Franklin Perozo, miembro del equipo curatorial de la II Bienal del Sur. &ldquo;El Caribe en general ha producido una cr&iacute;tica importante en contra de los grandes intereses hegem&oacute;nicos que han imperado a nivel mundial, de all&iacute; la importancia de elegir a Trinidad y Tobago como pa&iacute;s que ha confrontado las acciones colonialista del imperio Europeo&rdquo;, dijo.<\/span><\/p>\n<p style=\"margin-top: 15pt; margin-right: 0cm; margin-bottom: 15pt; line-height: 150%; text-align: justify; background-image: initial; background-attachment: initial; background-position: initial; background-repeat: initial;\"><span style=\"font-family: arial, helvetica, sans-serif;\">Como actividad complementaria a esta muestra expositiva de arte internacional a celebrarse en el Museo de Bellas Artes de Caracas entre noviembre del 2017 y febrero de 2018, la Cinemateca Nacional proyectar&aacute; un ciclo de cine comprometido, as&iacute; lo se&ntilde;al&oacute; Blanca Rey, curadora de esta Bienal y directora general de la Cinemateca.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif;\">Texto y fotos: Iartes<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caracas, 06 de septiembre de 2016.- Hasta el 02 de diciembre del presente a&ntilde;o, artistas nacionales e internacionales podr&aacute;n postular sus proyectos para participar en la segunda edici&oacute;n de la Bienal del Sur. Pueblos en resistencia, &nbsp;a celebrarse en noviembre del 2017 en el Museo de Bellas Artes de Caracas, as&iacute; lo indic&oacute; en rueda &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/fundarte.gob.ve\/web\/2016\/09\/06\/abierta-convocatoria-de-la-ii-bienal-del-sur-pueblos-en-resistencia\/\"> <span class=\"screen-reader-text\">Abierta convocatoria de la II Bienal del Sur. Pueblos en Resistencia<\/span> Leer m\u00e1s \u00bb<\/a><\/p>\n","protected":false},"author":4,"featured_media":1858,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}}},"categories":[36],"tags":[],"_links":{"self":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts\/1859"}],"collection":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/comments?post=1859"}],"version-history":[{"count":0,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts\/1859\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/media\/1858"}],"wp:attachment":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/media?parent=1859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/categories?post=1859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/tags?post=1859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}