{"id":3711,"date":"2017-07-17T01:35:23","date_gmt":"2017-07-17T01:35:23","guid":{"rendered":"http:\/\/fundarte.gob.ve\/web\/2017\/07\/17\/caracas-de-ayer-es-reencarnada-sobre-las-tablas-del-municipal\/"},"modified":"2017-07-17T01:35:23","modified_gmt":"2017-07-17T01:35:23","slug":"caracas-de-ayer-es-reencarnada-sobre-las-tablas-del-municipal","status":"publish","type":"post","link":"https:\/\/fundarte.gob.ve\/web\/2017\/07\/17\/caracas-de-ayer-es-reencarnada-sobre-las-tablas-del-municipal\/","title":{"rendered":"Caracas de ayer es reencarnada sobre las tablas del Municipal"},"content":{"rendered":"

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Caracas, 15 de julio de 2017.- Con el objetivo de conmemorar los 450 a\u00f1os de nuestra Caracas, el director y dramaturgo Miguel Issa, bajo el formato de carta musical, revivi\u00f3 la cotidianidad capitalina de \u00e9pocas pasadas a trav\u00e9s de la obra Caracas, el valle de los inquietos, cuyo estreno caus\u00f3 divino estupor al p\u00fablico del Teatro Municipal.<\/span><\/p>\n

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Antigua, como el vestuario de \u00e9poca y la puesta en escena, es la atm\u00f3sfera de esta pieza teatral, que se suma al portafolio de \u00e9xitos del grupo Dramaturgia en Movimiento (Dramo), que tras la haza\u00f1a de fusionar m\u00fasica, danza y texto logr\u00f3 provocar los aplausos de un p\u00fablico que estall\u00f3 de risas y experiment\u00f3 una espont\u00e1nea visi\u00f3n al pasado. Sobre las butacas rojas, la audiencia rememor\u00f3 las tradicionales calles de la ciudad, sus ventanas abiertas y los t\u00edpicos vecinos. \u201cTodo se construye en funci\u00f3n de la estructura tradicional caraque\u00f1a\u201d, explic\u00f3 su creador.<\/span><\/p>\n

La obra despleg\u00f3 a 15 personajes con voz ronca y entrecortada, quienes junto a bailarines y m\u00fasicos, organizados por el dominio narrativo y la pluma aguda de Issa, protagonizaron inteligentes di\u00e1logos coloreados con humor o nostalgia. <\/span>\u00abPresentar la obra en el Teatro Municipal es un acto simb\u00f3lico, ya que fue el epicentro art\u00edstico de la ciudad por m\u00e1s de 100 a\u00f1os\u201d, a\u00f1adi\u00f3 el mencionado dramaturgo, quien se inspir\u00f3 en las melod\u00edas de su infancia para homenajear a compositores como: Juan Vicente Torrealba y Sim\u00f3n D\u00edaz.<\/span><\/span><\/p>\n

La Compa\u00f1\u00eda Taller Danza sin Fronteras bail\u00f3 al ritmo de la Orquesta Sinf\u00f3nica Municipal de Caracas (OSMC), dirigida por Rodolfo Saglimbeni. Estos fueron el elemento clave en esta co-producci\u00f3n cultural. La pieza consta de dos actos, de 45 minutos de duraci\u00f3n contando con relevantes figuras en el mundo teatral de la talla de Norma Monasterios, ganadora del Premio Municipal de Teatro, y Robert Aramburo, miembro del Ballet Teresa Carre\u00f1o.<\/span><\/p>\n

Caracas, el Valle de los inquietos se presentar\u00e1 s\u00e1bados y domingos a las 3:00 p.m. en los espacios del Teatro Municipal hasta el pr\u00f3ximo 29 de julio. Las entradas estar\u00e1n disponibles el mismo d\u00eda de la funci\u00f3n a un costo de 1000 Bs. por persona.<\/span><\/p>\n

Texto: Maria Jos\u00e9 Ramirez \/ Fotos: Jacobo M\u00e9ndez<\/span><\/p>\n

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Caracas, 15 de julio de 2017.- Con el objetivo de conmemorar los 450 a\u00f1os de nuestra Caracas, el director y dramaturgo Miguel Issa, bajo el formato de carta musical, revivi\u00f3 la cotidianidad capitalina de \u00e9pocas pasadas a trav\u00e9s de la obra Caracas, el valle de los inquietos, cuyo estreno caus\u00f3 divino estupor al p\u00fablico del …<\/p>\n

Caracas de ayer es reencarnada sobre las tablas del Municipal<\/span> Leer m\u00e1s \u00bb<\/a><\/p>\n","protected":false},"author":4,"featured_media":3704,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}}},"categories":[36],"tags":[],"_links":{"self":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts\/3711"}],"collection":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/comments?post=3711"}],"version-history":[{"count":0,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts\/3711\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/media\/3704"}],"wp:attachment":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/media?parent=3711"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/categories?post=3711"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/tags?post=3711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}