{"id":4500,"date":"2018-04-29T02:02:48","date_gmt":"2018-04-29T02:02:48","guid":{"rendered":"http:\/\/fundarte.gob.ve\/web\/2018\/04\/29\/la-dramaturgia-helenica-de-sofocles-revivio-en-unearte\/"},"modified":"2018-04-29T02:02:48","modified_gmt":"2018-04-29T02:02:48","slug":"la-dramaturgia-helenica-de-sofocles-revivio-en-unearte","status":"publish","type":"post","link":"https:\/\/fundarte.gob.ve\/web\/2018\/04\/29\/la-dramaturgia-helenica-de-sofocles-revivio-en-unearte\/","title":{"rendered":"La dramaturgia hel\u00e9nica de S\u00f3focles revivi\u00f3 en Unearte"},"content":{"rendered":"<\/p>\n<p style=\"color: #000000; text-align: justify;\"><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Caracas, 28 de abril de 2018 &#8211; Un oscuro veredicto se dict\u00f3 sobre la Sala Anna Julia Rojas de la Universidad Experimental de las Artes (Unearte) donde las profundas motivaciones de seis personajes cuestionaron en escena el concepto de justicia y democracia que se manejaban en Tebas durante el reinado de Creonte. La narrativa se encarg\u00f3 de reflejar la brecha existente entre el discurso y los intereses personales que se ocultan tras las decisiones pol\u00edticas.<\/span><\/p>\n<p><!--more--><\/p>\n<p style=\"color: #000000; text-align: justify;\"><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">El montaje mexicano lleva el nombre de su rebelde personaje central: Ant\u00edgona, que, bajo la direcci\u00f3n del maestro David Gait\u00e1n, revive la mitolog\u00eda de S\u00f3focles a trav\u00e9s de una compleja obra interpretada sobre una puesta en escena minimalista, que se vali\u00f3 de la fuerza de sus di\u00e1logos para cautivar a la audiencia por m\u00e1s de 80 minutos.<\/span><\/p>\n<p style=\"color: #000000; text-align: justify;\"><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Las palabras de justicia, libertar y oposici\u00f3n a los d\u00e9spotas, expresadas por la mexicana Hayde\u00e9 Boetto, enfundada en la piel de Sabidur\u00eda, advierten al p\u00fablico el profundo contenido de la muestra antes de que el resto del elenco aparezca en escena. Durante su aparici\u00f3n, su voz son\u00f3 fuerte y segura, como la del resto de los actores (Marianella Villa, Adri\u00e1n Ladr\u00f3n, Alan Uribe Villarruel, Ana Zavala, Guillermo Nava y Mishell Ord\u00f3\u00f1ez), quienes parec\u00edan recrearse en la trama con la comodidad y el talento que acostumbra la escena mexicana.<\/span><\/p>\n<p style=\"color: #000000; text-align: justify;\"><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Los desnudos en la pieza, art\u00edsticos y profesionales, recuerdan al p\u00fablico que admiran lo mejor del teatro internacional, a veces rebelde y sugerente, que se estar\u00e1n presentado sobre escenarios venezolanos hasta el pr\u00f3ximo domingo seis de mayo durante el Festival Internacional de Teatro Caracas (Fitccs) 2018.<\/span><\/p>\n<p style=\"color: #000000; text-align: justify;\"><span style=\"font-size: 12pt; font-family: arial, helvetica, sans-serif;\">Texto: Maria Jos\u00e9 Ram\u00edrez \/ Fotos: Mois\u00e9s Sayet<\/span><\/p>\n<p><img loading=\"lazy\" class=\" size-full wp-image-4497\" src=\"http:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-1.jpg\" alt=\"Antigona 1\" width=\"2000\" height=\"1325\" srcset=\"https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-1.jpg 2000w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-1-300x199.jpg 300w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-1-1024x678.jpg 1024w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-1-768x509.jpg 768w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-1-1536x1018.jpg 1536w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/p>\n<p><img loading=\"lazy\" class=\" size-full wp-image-4498\" src=\"http:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-3.jpg\" alt=\"Antigona 3\" width=\"2000\" height=\"1325\" srcset=\"https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-3.jpg 2000w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-3-300x199.jpg 300w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-3-1024x678.jpg 1024w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-3-768x509.jpg 768w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-3-1536x1018.jpg 1536w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/p>\n<p><img loading=\"lazy\" class=\" size-full wp-image-4499\" src=\"http:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-7.jpg\" alt=\"Antigona 7\" width=\"2000\" height=\"1325\" srcset=\"https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-7.jpg 2000w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-7-300x199.jpg 300w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-7-1024x678.jpg 1024w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-7-768x509.jpg 768w, https:\/\/fundarte.gob.ve\/web\/wp-content\/uploads\/2018\/04\/Antigona-7-1536x1018.jpg 1536w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Caracas, 28 de abril de 2018 &#8211; Un oscuro veredicto se dict\u00f3 sobre la Sala Anna Julia Rojas de la Universidad Experimental de las Artes (Unearte) donde las profundas motivaciones de seis personajes cuestionaron en escena el concepto de justicia y democracia que se manejaban en Tebas durante el reinado de Creonte. La narrativa se &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/fundarte.gob.ve\/web\/2018\/04\/29\/la-dramaturgia-helenica-de-sofocles-revivio-en-unearte\/\"> <span class=\"screen-reader-text\">La dramaturgia hel\u00e9nica de S\u00f3focles revivi\u00f3 en Unearte<\/span> Leer m\u00e1s \u00bb<\/a><\/p>\n","protected":false},"author":4,"featured_media":4496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}}},"categories":[36],"tags":[],"_links":{"self":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts\/4500"}],"collection":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/comments?post=4500"}],"version-history":[{"count":0,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts\/4500\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/media\/4496"}],"wp:attachment":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/media?parent=4500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/categories?post=4500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/tags?post=4500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}