{"id":458,"date":"2016-03-16T23:13:40","date_gmt":"2016-03-16T23:13:40","guid":{"rendered":"http:\/\/fundarte.gob.ve\/web\/2016\/03\/16\/descargas\/"},"modified":"2016-03-16T23:13:40","modified_gmt":"2016-03-16T23:13:40","slug":"descargas","status":"publish","type":"post","link":"https:\/\/fundarte.gob.ve\/web\/2016\/03\/16\/descargas\/","title":{"rendered":"Descargas"},"content":{"rendered":"\n<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n <\/td>\n\"Riberas<\/td>\n <\/td>\n\"Caballo<\/td>\n <\/td>\n\"Puentes<\/td>\n<\/tr>\n

<\/p>\n

<\/a><\/td>\n <\/td>\nAnimal mas oscuro<\/a><\/td>\n <\/td>\nCaballo Final<\/a><\/td>\n <\/td>\nPuentes que tejen mi sangre<\/a><\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

\"LiquenEl<\/td>\n <\/td>\n\"Riberas<\/td>\n <\/td>\n\"Bocetos<\/td>\n <\/td>\n\"Po\u00e9mese\"<\/td>\n<\/tr>\n

<\/p>\n

Liquen<\/a><\/td>\n <\/td>\nRiberas de pan<\/a><\/td>\n <\/td>\nBocetos (Antolog\u00eda min\u00edma)<\/a><\/td>\n <\/td>\nPo\u00e9mese<\/a><\/td>\n<\/tr>\n

<\/p>\n

 Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

\"El<\/td>\n <\/td>\n\"El<\/td>\n <\/td>\n\"Luminancia\"<\/td>\n <\/td>\n\"La<\/td>\n<\/tr>\n

<\/p>\n

Matraz<\/a><\/td>\n <\/td>\nEl libro de los destinos<\/a><\/td>\n <\/td>\nLuminancia<\/a><\/td>\n <\/td>\nLa Resistencia Ind\u00edgena<\/a><\/td>\n<\/tr>\n

<\/p>\n

 Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

\"Antolog\u00eda<\/td>\n <\/td>\n\"Antolog\u00eda<\/td>\n <\/td>\n\"Antolog\u00eda<\/td>\n <\/td>\n\"Antolog\u00eda<\/td>\n<\/tr>\n

<\/p>\n

El suplicio de los tiempos<\/a><\/td>\n <\/td>\nLa formaci\u00f3n del sujeto pueblo
en la historia de Venezuela<\/a><\/td>\n		 <\/td>\nEl laberinto es el camino sagrado<\/a><\/td>\n <\/td>\nAntolog\u00eda Bruta<\/a><\/td>\n<\/tr>\n

<\/p>\n

 Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

\"Arboles<\/td>\n <\/td>\n\"Arpegios<\/td>\n <\/td>\n\"Relatos<\/td>\n <\/td>\n\"Washington<\/td>\n<\/tr>\n

<\/p>\n

\u00c1rboles No Son Papeles<\/a><\/td>\n <\/td>\nArpegios en el cielo
de la cabeza<\/a><\/td>\n		 <\/td>\nRelatos del Ostracismo<\/a><\/td>\n <\/td>\nWashington Bullets<\/a><\/td>\n<\/tr>\n

<\/p>\n

 Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Dispobilble en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Dispobilble en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Dispobilble en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/tbody>\n<\/table>\n\n<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\"ARA\u00d1A<\/td>\n <\/td>\n\"CARACAS<\/td>\n <\/td>\n\"CARBONO14\"<\/td>\n <\/td>\n\"PARROQUIA<\/td>\n<\/tr>\n
Ara\u00f1a y Waika<\/a><\/td>\n <\/td>\nCaracas Pand\u00e9mica<\/a><\/td>\n <\/td>\nCarbono14<\/a><\/td>\n <\/td>\nParroquia Adentro<\/a><\/td>\n<\/tr>\n
 Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
 \u00abPDF\u00bb <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

\"LA<\/td>\n <\/td>\n\"LUMINANCIA<\/td>\n <\/td>\n\"MATRAZ<\/td>\n <\/td>\n\"EL<\/td>\n<\/tr>\n
La mudez de la piedra<\/a><\/td>\n <\/td>\nLuminancia<\/a><\/td>\n <\/td>\nMatraz<\/a><\/td>\n <\/td>\nEl libro de los destinos<\/a><\/td>\n<\/tr>\n
 Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"POEMESE<\/td>\n <\/td>\n \"ECOS<\/td>\n <\/td>\n \"CONTRA<\/td>\n <\/td>\n \"YERBAMALA<\/td>\n<\/tr>\n
Po\u00e9mese<\/a><\/td>\n <\/td>\nEcos de una voz compartida<\/a><\/td>\n <\/td>\nContra Natura, nada<\/a><\/td>\n <\/td>\nYerbamala<\/a><\/td>\n<\/tr>\n
 Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"EL<\/td>\n <\/td>\n \"LUGARES<\/td>\n <\/td>\n \"POR<\/td>\n <\/td>\n \"COLOCARME<\/td>\n<\/tr>\n
 El radio de la pilas
y otros poemas<\/a><\/td>\n		 <\/td>\n Lugares de Enunciamiento<\/a><\/td>\n <\/td>\n Por Dentro<\/a> <\/td>\n <\/td>\n Colocarme a la vez mis dos ojos<\/a>  <\/td>\n<\/tr>\n
 Disponible en Formato:
\u00abePub\u00bb<\/a>
<\/a> \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
<\/a> \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n		 <\/td>\n Disponible en Formato:
\u00abePub\u00bb<\/a>
 \u00abPDF\u00bb <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"Pueblo<\/td>\n <\/td>\n \"La<\/td>\n <\/td>\n \"Las<\/td>\n <\/td>\n \"Las<\/td>\n<\/tr>\n
 Pueblo<\/a>
Miguel \u00c1ngel P\u00e9rez Pirela<\/a><\/td>\n		 <\/td>\n La noche de los elefantes<\/a>
y otras cr\u00f3nicas<\/a><\/td>\n		 <\/td>\n Las ara\u00f1as de mi casa<\/a>
y otros poemas<\/a><\/td>\n		 <\/td>\n Camelias para Malcom<\/a>
y otras poezas teatrales<\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"CRONICAS<\/td>\n <\/td>\n \"El<\/td>\n <\/td>\n \"Cr\u00f3nicas<\/td>\n <\/td>\n \"En<\/td>\n<\/tr>\n
Cr\u00f3nicas de la
Demencia Cotidiana<\/a><\/td>\n		 <\/td>\nEl Mito
del \u00abCarte de los Soles\u00bb<\/a><\/td>\n		 <\/td>\nCr\u00f3nicas cotidianas
<\/a><\/td>\n		 <\/td>\n En defensa propia
Mar\u00eda Alejandra Rend\u00f3n Infante<\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"GUERRERAS_DE_LA_INDEPENDENCIA<\/td>\n <\/td>\n \"UN<\/td>\n <\/td>\n \"DIAL\u00c9CTICA<\/td>\n <\/td>\n \"POEMAS<\/td>\n<\/tr>\n
 Guerrera de la Independencia<\/a>
Nadia Fink y Pitu Sa\u00e1<\/a><\/td>\n		 <\/td>\n Un ni\u00f1o llamado Sim\u00f3n<\/a>
Alejandra Claros Borda<\/a><\/td>\n		 <\/td>\n Dial\u00e9ctica del Libertador<\/a>
Miguel Acosta Saignes<\/a><\/td>\n		 <\/td>\n Poemas Populares<\/a>
Aquiles Nazoa<\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"Caracas<\/td>\n <\/td>\n \"El<\/td>\n <\/td>\n \"Caracas<\/td>\n <\/td>\n \"Boleros<\/td>\n<\/tr>\n
 Caracas f\u00edsica y espiritual<\/a>
Aquiles Nazoa<\/a><\/td>\n		 <\/td>\n El proceso urbano caraque\u00f1o:<\/a>
1300-2020 d.C. FdLCCS 2020<\/a><\/td>\n		 <\/td>\n Caracas<\/a>
Ciudad Caribe<\/a><\/td>\n		 <\/td>\n Boleros que curan<\/a>
el alma 2<\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"En<\/td>\n <\/td>\n \"El<\/td>\n <\/td>\n \"La<\/td>\n <\/td>\n \"Cr\u00f3nicas<\/td>\n<\/tr>\n
 En defensa propia<\/a>
Mar\u00eda Alejandra Rend\u00f3n Infante<\/a><\/td>\n		 <\/td>\n El parque Nacional Waraina Repano<\/a>
constructor social y materia para el arte<\/a><\/td>\n		 <\/td>\n La muerte del pr\u00edncipe<\/a>
<\/a><\/td>\n		 <\/td>\n Cr\u00f3nicas de la demencia cotidiana<\/a>
<\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"HISTORIA<\/td>\n <\/td>\n \"CARTA<\/td>\n <\/td>\n \"EL<\/td>\n <\/td>\n \"RADIOGRAFIA<\/td>\n<\/tr>\n
Historia, Mujer, Mujeres<\/a><\/td>\n <\/td>\n Carta al Presidente de los<\/a>
Estados Unidos de Am\u00e9rica<\/a><\/td>\n		 <\/td>\n El rey de las cenizas<\/a>
Jos\u00e9 Negr\u00f3n Valera<\/a><\/td>\n		 <\/td>\n Radiograf\u00eda de un pa\u00eds<\/a>
bajo asedio <\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"AlI<\/td>\n <\/td>\n \"LIBRO<\/td>\n <\/td>\n \"SABERES<\/td>\n <\/td>\n \"BEBEDIZO<\/td>\n<\/tr>\n
Al\u00ed Primera<\/a>
su historia en d\u00e9cimas<\/a><\/td>\n		 <\/td>\nSiempre al lado de la
Revoluci\u00f3n Cubana<\/a>Alirio Almao<\/a><\/td>\n		 <\/td>\nSaberes, Memoria e Identidad:<\/a>
Memorias del I encuentro caraque\u00f1o de patrimonio<\/a><\/td>\n		 <\/td>\nBebedizo<\/a>
Jes\u00fas Sanoja<\/a><\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

\"REVERON<\/td>\n <\/td>\n\"LIBRO<\/td>\n <\/td>\n\"LIBRO<\/td>\n <\/td>\n\"LIBRO<\/td>\n<\/tr>\n
Rever\u00f3n<\/a><\/td>\n <\/td>\n Ojos de Ceiba<\/a>
Oscar Sotillo Meneses<\/a><\/td>\n		 <\/td>\n Marx y la Alienaci\u00f3n<\/a>
Ludovico Silva<\/a><\/td>\n		 <\/td>\nEl Canto de los Azulejos<\/a>
Reinaldo de Fern\u00e1ndez<\/a> <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"LIBRO<\/td>\n <\/td>\n \"RESTOS<\/td>\n <\/td>\n\"LIBRO<\/td>\n <\/td>\n\"LIBRO<\/td>\n<\/tr>\n
Sentires Diarios<\/a>
Hiranis Serrano<\/a><\/td>\n		 <\/td>\nLos restos<\/a>
del cholo Facundo<\/a><\/td>\n		 <\/td>\nFrutos extra\u00f1os<\/a>
Indira Carpio Olivo<\/a><\/td>\n		 <\/td>\nDespacio cae la indescifrable Noche<\/a>
Julio Rafael Silva<\/a> <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 \"LIBRO<\/td>\n <\/td>\n \"LIBRO<\/td>\n <\/td>\n \"LIBRO<\/td>\n <\/td>\n \"LIBRO<\/td>\n<\/tr>\n
 Belleza y Revoluci\u00f3n<\/a>
Ludovico Silva<\/a><\/td>\n		 <\/td>\nPreg\u00fantale a Lorenzo<\/a>
Nelson Ch\u00e1vez Herrera<\/a> <\/td>\n		 <\/td>\n B-EBRIEDAD<\/a>
<\/a>Efra\u00edn Valenzuela<\/a><\/td>\n		 <\/td>\n Papeles con Sentido
Judith Valencia<\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/p>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
 <\/td>\n<\/tr>\n

<\/tbody>\n

 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\"la
La african\u00eda <\/a>
en Venezuela<\/a><\/td>\n		 <\/td>\n\"cuentos
Cuentos Diversos<\/a><\/td>\n		 <\/td>\n\"caratula
CD ambientALIsta.
Canciones de Al\u00ed Primera
para el ambiente por Leonor Fuguet<\/a><\/td>\n		 <\/td>\n\"maracapana
Maracapana<\/a><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\"poemas
<\/a>Poemas Electorales
<\/a>de Diego Sequera<\/a><\/td>\n		 <\/td>\n\"costuras
<\/a>Costura de familia
<\/a>de Ximena Ben\u00edtez<\/a><\/td>\n		 <\/td>\n\"vida\"
<\/a>Vida en comun
Muanuel Cabesa<\/a><\/td>\n		 <\/td>\n\"Viola
Viola damore
Margara Russoto<\/a><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\"vision\"
<\/a>Visi\u00f3n Memorable Miguel Gomes<\/a><\/td>\n		 <\/td>\n\"caratula
<\/a>Si me Riera Bravo
Autor: Jos\u00e9 Leonardo Riera Bravo<\/a><\/td>\n		 <\/td>\n\"Bases
<\/a>Bases del Concurso Stefania Mosca<\/a><\/td>\n		 <\/td>\n\"portadaElSolInvisible\"
El sol invisible<\/a><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\"portadaElegiaParaUnMago\"
<\/a>Eleg\u00eda para un mago de Venecia<\/a><\/td>\n		 <\/td>\n\"portadaLosRiosCrecenElSilencio\"
Los r\u00edos crecen en silencio<\/a><\/td>\n		 <\/td>\n\"portadaLibroPiezasDelAdios\"Piezas del adi\u00f3s<\/a><\/td>\n <\/td>\n\"elDiarioInetito\" El diario in\u00e9dito del fil\u00f3sofo vien\u00e9s<\/a>
Ludwig Wittgenstein<\/a><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
\"elEvangelioSegunLosPerros\"El Evangelio
Segun Los Perros<\/a><\/td>\n		 <\/td>\n\"libroCubierta<\/a><\/a>Apuntes
Teatrales<\/a><\/td>\n		 <\/td>\n\"libroCubiertaEl arte de los senderos
que se bifurcan<\/a><\/strong><\/td>\n		 <\/td>\n\"\"<\/span> 
<\/span><\/a>Gaceta Municipal:
Ordenanza de los artesanos<\/a><\/strong> <\/a> <\/a>
<\/a><\/td>\n		 <\/td>\n<\/tr>\n
\"\"
<\/a>Cat\u00e1logo de instrumentos existentes
 en el Museo del Teclado<\/a><\/td>\n		 <\/td>\n\"\"
La Piel del Largarto.<\/a>
Autor: Jorge Rodr\u00edguez G\u00f3mez<\/a><\/td>\n		 <\/td>\n\"\"
<\/a>Bol\u00edvar en Jamaica
<\/a>Autor: Gustavo Pereir<\/a><\/td>\n		 <\/td>\n\"\"
<\/a>Del Diario Hast\u00edo (2013-2015)
<\/a>Autor: Freddy \u00d1\u00e1\u00f1ez<\/a><\/td>\n		 <\/td>\n<\/tr>\n
\"\" 
<\/a>Esa Espiga Sembrada en Carabobo<\/a><\/strong>
Autor: C\u00e9sar Rengifo<\/a><\/strong><\/td>\n		 <\/td>\n\"\"
La Paz es lo que Cuenta<\/a>
Varios Autores<\/a><\/td>\n		 <\/td>\n\"\"
<\/a>Mi Dulce Olivo<\/a>
Seis Poetas Palestinas<\/a><\/td>\n		 <\/td>\n  <\/a>
<\/a>\"\"
Cuento para Ilustrar<\/a>
Miguel Vicente Patacaliente<\/a><\/td>\n		 <\/td>\n <\/td>\n<\/tr>\n
\"\" <\/a>Cat\u00e1logo del Festival de<\/a>
Teatro de Caracas <\/a>2015<\/a><\/td>\n		 <\/td>\n
<\/a>
<\/a><\/td>\n		 <\/td>\n
<\/a>
<\/a>
<\/a><\/td>\n		 <\/td>\n 
<\/a><\/td>\n		 <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

        Animal mas oscuro   Caballo Final   Puentes que tejen mi sangre      Disponible en Formato: \u00abPDF\u00bb     Disponible en Formato: \u00abPDF\u00bb     Disponible en Formato:\u00abePub\u00bb \u00abPDF\u00bb                                        Liquen   Riberas de pan   Bocetos …<\/p>\n

Descargas<\/span> Leer m\u00e1s \u00bb<\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}}},"categories":[34],"tags":[],"_links":{"self":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts\/458"}],"collection":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/comments?post=458"}],"version-history":[{"count":0,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/posts\/458\/revisions"}],"wp:attachment":[{"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/media?parent=458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/categories?post=458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fundarte.gob.ve\/web\/wp-json\/wp\/v2\/tags?post=458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}